"The first impulse to create this exhibition arose in response to the erosion, abuse and the banning of women’s reproductive rights and bodily autonomy in the USA and in other places in the world. With this display, I delve into the breadth of this narrative, pulling in content of misogyny and its amplification when it intersects with racism, classism, ableism and/or hatred toward LGBTQIA+ communities".
Through using materials as diverse as encaustic paints, metals and silver sterling, the cyanotype print and text, Suki Valentine is telling a story about the struggles for bodily freedom that half of humanity continues to fight for in various ways, across our small planet.
Through five groupings of work Suki Valentine expose her inquiry on the above subjects :
- Breaker's Dozen is in the heart of the show. The majority of the other works are in relationship to this main group. It is comprised of 13 metal sculptures-
- He Said, She Said He Said is a group of ink paintings compromised of twenty paintings: a reflective dialogue with the Breaker's Dozen and the The Confessional Kept Its Peace.
- The Cave are 13 watercolour paper cyanotype prints.
- The Confessional Kept Its Peace is comprised of 25 miniature pottery.
- Promises Promising Promises are 14 pieces of "gilded eggshells" paired with the Breaker's Dozen.
REFERENCES
Suki Valentines
2. Moya Zakia Bailey, « Race, Region, and Gender in Early Emory School of Medicine Yearbooks », Early Emory School of Medicine Yearbooks, 2013, p. 26
4. PLATO, 380 bce, The Allegory of the Cave, Translated by Shawn Eyer, Copyright © 2016 Plumbstone Books,