Hélène Guétary is a photographer, writer and
director. She published a book of her early work in collaboration with Patrice Casanova, «SKINDEEP». She then worked on a project that lasted for two decades, HYPNOPOMPIA, an anthropological fiction sponsored by the Polaroid Corp. Narration being a central element to her artistic creations, she naturally moved on to directing and writing. She won multiple awards for the original short films series she directed for ARTE from 1992 to 2002, and wrote 4 published novels. Hélène recently returned to photography, with the series: ‘ME, MYSELF & I,’ a surreal photographic diary, and ‘THE MASKED WORLD
Louis Leroy is an Architect, Visual Artist whose work - originating in Sicily in 2017 - questions
the fragments of cities and the scraps that surround them. Public in situ Installations in Palermo, Porto, Nantes and Marseille.
Lya Garcia before creating accessories and headwear, Lya Garcia was a mime. In 1998, she created masks for the 1999 Isabelle Marant fashion show. In 1999 and 2000, she taught crochet art at the Museum für Kunst und Gewerbe in Hamburg. These tentacular forms and little groping monsters, hypothetically looking for a mooring, give shape to a very personal universe in which headdresses and jewelry fill the space. Lya Garcia's style can be defined as a phantasmatic gesture that crosses fashion and mime. (Text presenting Lya Garcia at the Musée Galliera, "Modes à suivre 2" exhibition in 2002).
Peter Brandt (DK 1966) studied at The Royal
Danish Academy of Fine Arts in Copenhagen and at The Royal Institute of Arts in Stockholm. Brandt’s works is influenced by 1970s feminist body art, trauma theory, masculinity studies and art historical material. The body is Brandt’s most vital material either in direct performative photographs and video works or in the making of hand-crafted works in a wide range of materials. Brandt’s latest solo show was “The Image as The Witness” at Memory of The Future in Paris in 2018 and in 2016 did Västerås Art Museum in Sweden organize “Post Trauma Documents” a comprehensive mid-career survey exhibition with selected works from 2000-2016. Brandt has been awarded residences at Delfina Foundation, London, Cité Internationale des Arts, Paris, Circolo Scandinavo, Rome and is the recipient of several grants from The Danish Arts Foundation, Queen Ingrid Roman Foundation and others.
Yong Hee Kim was born in 1974 in Seoul, Korea. He moved to the United States at the age of 13 and began to study the art of photography at the age of 18. He grew up in New York City, getting exposure to many diverse cultures the city has to offer. He received both his B.F.A. and M.F.A. in Photography and Related Media from Parsons School of Design and currently resides in New York continuing to further his interests on cityscapes and landscapes that draw on a unique perceptual experience. After graduating from Parsons School of Design with an M.F.A. in 2005, he started teaching at the New York City International Center of Photography (ICP) in 2007. He also taught at the City University of New York (CUNY) Baruch College, taught as guest lecturer at various New York schools, and is currently teaching photography at the State University of New York (SUNY) Purchase College since 2012 and working on independent projects. Kim’s work has been exhibited nationally and internationally as well as other many private collections.
PRESENTING THE EXHIBITION
REGROUP!
COLLECTIVE ART SHOW
JANUARY 28TH - FEBRUARY 18TH
VERNISSAGE JANUARY 27TH
In December 2022, Mémoire de l'Avenir published a call for artists. This call, entitled REGROUP ! was in fact more of a rallying cry; the expression of a desire to bring together ten artists whose practices would shed a light on that which can be learned and gained from artistic creations which articulate togetherness in a singular, personal and committed way.
The outcome, presented January 28th to February 18th 2023, is a transdisciplinary group show including works in sculpture, drawing, painting and photography by artists from Belleville, France and elsewhere.
The worlds that emerge from the gestures of these ten artists are small and marvelous paradoxes: expanding fields of possibility that enlarge as the elements that compose them grow closer together.
What singular magic operates when things, energies, individuals adhere, attach, regroup ? What ideas, experiences and objects can result from such procedures of assembly ?
The exhibited works explore these questions either through formal experimentations, conceptual research or social and collective creative protocoles and for that, Mémoire de l’Avenir congratulates the participating artists.
Antoine Guilhem Ducleon "After a few very rewarding years in architecture, I felt the need to turn to documentary or reportage photography, I have acquired a great technical mastery and a fine perception of the phenomena that affect places, people or objects, in general, the photo composes, decomposes, recomposes and escapes. My photos are raw, without retouching, without artifice, in the instantaneous."
Batia Eissenwasser Jancourt was born in Haifa, but grew up in Montreal. In 1971, she settled in Haifa Israël and started teaching in the Art Department at Haifa University where she was Senior lecturer and Chairperson. She has exhibited her artwork extensively throughout Israël and in select group shows internationally (Chicago, Dusseldorf, London, Berlin and now Paris).
Clothilde Lasserre is a doctor in mathematical engineering and has devoted herself to a career in visual arts for the past 20 years. Filled with colour and symbolism, her work testifies the need for individuals to cultivate their singularity while living together. Between painting and ceramics, the artist translates her vision of human relations. Links are created encounters materialize and give us faith in each other. Oscillating between figuration and abstraction, her compositions perfectly embody the tension between multitude and unity. Her works express the balance between the need to preserve our individuality and our need for contact with others.
FROP collective brings together artists around creative actions spontaneously (im) planted in the urban space. The objective is to propose a form of collective artistic intervention tinged with their plastic practices and the societal and ecological concerns that go beyond the conventional framework of the exhibition. These interventions aim to establish an artistic and performative dialogue with the places where they are located.
Emma Nony lives and works in Paris. A graduated in Applied Arts at the École Duperré, she first worked as a stylist and then as a decorator. Nevertheless the need to for full creative freedom and the desire to build a singularity through matter quickly leads her to develop her own artistic work using fabric. When she moves to Belleville, the neighborhood plays an important role in her exploration of the artist’s place within a community. This leads her to intervene in artistic workshops and collaborative creations with the local communities. Her artistic approach, which plays on both art and craftsmanship, led her to join the vAteliers d’Art de France. In 2021, she takes part in the contemporary fabric art exhibition «Fragment(s)» at the Musée de la Chemiserie et de l’Elégance masculine in Argenton-sur Creuse.
EXHIBITING ARTISTS
VERNISSAGE
FRIDAY
JANUARY 27th
7PM-9PM
PERFORMANCE
FRIDAY
JANUARY 27th
7PM-9PM
OPENING NIGHT
Friday December 27th at 7PM
Would you like a hug ?
performance by CAroLIne Lisfranc
Caroline, designer of affect, has always acted with the objective of changing the world to make it better, first through hundreds of creations of everyday objects with positive and colorful messages, for companies and the general public, and today by engaging in projects in favor of kinship and social bonding.
More on the artist : http://pausecalin.fr/
If you wish to submit a project or activity for our Live Performance Satellite Events, please contact us via email at contact@memoire-a-venir.org
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PERFORMANCE
OPEN TO VISITORS
Wednesday - Saturday
11am-7pm
BY APPOINTMENT ONLY
Tuesdays
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