"Fear never leaves us: as children or adults, we are constantly inhabited by it. Fear is a dark, deep and powerful feeling because of its capacity to shape subjectivities and even common feelings." RM
This state, a result of many causes, affects both cognitive processes and social representations. Whether it is the result of a threat to one's physical or psychological integrity, the consequence of a collective frenzy, or manipulation, linked to a particular subject, the hold of fear can produce segregative behaviours, violence, and conformist postures that are submissive to authority, says Denise Jodelet, a specialist in social representations. She continues: "This should not prevent us from looking into its potential for resistance and innovation of citizens (...). This requires strength of ideas, representations and imaginaries that give form and substance to alternative visions." 1
It is precisely this process that is at the heart of Riccardo Montenero's work: to create places of resistance through the strength of visual proposals. Places of resistance to the violence and rejection, recurrent subjects in her work, that "vulnerable" people might endure. By choosing them as models, Montenero makes the processes of violence they are confronted with visible, without ever putting them in a position of victims and to highlight their strength.
This work shows the body of an elderly person who, who through her gestures embodies the forms of fear she is subject to and her defiance of it. Between folds and tensions, this project evolves through five series: Gestures of fear, the Desire that breaks, Mutism of the word, the Body’s panic and the Law of the fist.
This subdivision responds first of all to the artist's need to stage fear through the plurality of its aspects, both physical and mental, which she enacts by working on through colour prints, and also in black and white, in a three-dimensional space.
This sequencing further allows her to develop a narrative that inscribes the gesture in time, and also to anchor the spectator's mind in a scenario, so that they engage in a confrontation with their own fears.
Riccarda Montenero asked the director Teresa Scotto di Vettimo to delve into her work. Consequently, she presents the short film Dressed by Fear: Vision of an Ordinary Visitor, performed by Laurent Borel in collaboration with Riccarda Montenero.
In the context of the exhibition of this project at Mémoire de l'Avenir, from November 13 to December 18th, the performance Alpha Bêta Sarah, based on the novel by Constance Chlore, is presented on 11 December. Below you can discover a part of it.
A performance with the dancer David Pisani the pop singer Rosie not Rosie, a sound creation by Romain Pangaud and a reading by Constance Chlore. On a backdrop of domestic violence, this performance develops around Ernest's luminous dream of learning to fly like a bird.